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cookies"},{"term":"win"},{"term":"winter"},{"term":"wood"},{"term":"worst"},{"term":"worth"},{"term":"zero guy"}],"title":{"type":"text","$t":"Planet Botch"},"subtitle":{"type":"html","$t":"Guitar and other musical instrument retrospectives, with a hint of tech."},"link":[{"rel":"http://schemas.google.com/g/2005#feed","type":"application/atom+xml","href":"https:\/\/planetbotch.blogspot.com\/feeds\/posts\/default"},{"rel":"self","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/-\/1996?alt=json-in-script\u0026max-results=50"},{"rel":"alternate","type":"text/html","href":"https:\/\/planetbotch.blogspot.com\/search\/label\/1996"},{"rel":"hub","href":"http://pubsubhubbub.appspot.com/"}],"author":[{"name":{"$t":"Unknown"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"16","height":"16","src":"https:\/\/img1.blogblog.com\/img\/b16-rounded.gif"}}],"generator":{"version":"7.00","uri":"http://www.blogger.com","$t":"Blogger"},"openSearch$totalResults":{"$t":"8"},"openSearch$startIndex":{"$t":"1"},"openSearch$itemsPerPage":{"$t":"50"},"entry":[{"id":{"$t":"tag:blogger.com,1999:blog-4485063470815328574.post-2659139178026697233"},"published":{"$t":"2012-10-30T15:56:00.002+01:00"},"updated":{"$t":"2022-08-14T07:56:25.535+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"1990s"},{"scheme":"http://www.blogger.com/atom/ns#","term":"1996"},{"scheme":"http://www.blogger.com/atom/ns#","term":"analogue"},{"scheme":"http://www.blogger.com/atom/ns#","term":"digital"},{"scheme":"http://www.blogger.com/atom/ns#","term":"home"},{"scheme":"http://www.blogger.com/atom/ns#","term":"musictech"},{"scheme":"http://www.blogger.com/atom/ns#","term":"recording"}],"title":{"type":"text","$t":"Home Recording in the 1990s"},"summary":{"type":"text","$t":"The concept of keeping pretty much all of a home recording within the casing of a computer has now been with us for so long that it can be hard to recount how the home recordist of yesteryear would carry out the same tasks. Virtual instruments revolutionised home recording, and a world without them now seems almost unthinkable. 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Feeling that the guitars were good value, and identifying with Mexico’s history in guitar making, Jimmie Vaughan later brought up the Mexican Strats in a discussion with Fender’s Mike Lewis, about a possible signature model. In the first instance, the talks "},"link":[{"rel":"edit","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/2080043163775414816"},{"rel":"self","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/2080043163775414816"},{"rel":"alternate","type":"text/html","href":"https:\/\/planetbotch.blogspot.com\/2012\/08\/the-fender-tex-mex-strat-1996-to-1997.html","title":"The Fender Tex-Mex Strat 1996 to 1997"}],"author":[{"name":{"$t":"Unknown"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"16","height":"16","src":"https:\/\/img1.blogblog.com\/img\/b16-rounded.gif"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiUMelScDFzO204wmaTKetZ8IHXdvzAJ2BrIZaGzJOZ3_tNIKsPRh-Lh-gMlPGsHRLReT93sMPxAm5e6aMY1uza55d9KsMVRm3bOPYrTigVGcTSbBnSs6HDnmTp3Aj-waYN664QchKLRv0\/s72-c\/Fender+Tex+Mex+Strat+Sonic+Blue+1996.jpg","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-4485063470815328574.post-8344167009378561086"},"published":{"$t":"2012-08-25T22:59:00.002+01:00"},"updated":{"$t":"2022-08-13T20:03:36.019+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"1990s"},{"scheme":"http://www.blogger.com/atom/ns#","term":"1995"},{"scheme":"http://www.blogger.com/atom/ns#","term":"1996"},{"scheme":"http://www.blogger.com/atom/ns#","term":"CIJ"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Fender"},{"scheme":"http://www.blogger.com/atom/ns#","term":"guitars"},{"scheme":"http://www.blogger.com/atom/ns#","term":"MIJ"},{"scheme":"http://www.blogger.com/atom/ns#","term":"reissue"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Stratocaster"}],"title":{"type":"text","$t":"Fender '50s and '60s Strats - from MIJ to CIJ"},"summary":{"type":"text","$t":"I mentioned in my articles on the Fender MIJ ’57 Reissue and ’62 Reissue Strats, that in 1995, both models were replaced by a rather more generic duo of ‘vintage reminiscent’ products. In this piece I want to look in more detail at those replacement guitars, and their marking of the end of an era. As usual, my documentation of the facts combines personal experience from the era in question, with "},"link":[{"rel":"edit","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/8344167009378561086"},{"rel":"self","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/8344167009378561086"},{"rel":"alternate","type":"text/html","href":"https:\/\/planetbotch.blogspot.com\/2012\/08\/fender-50s-60s-strats-mij-cij.html","title":"Fender '50s and '60s Strats - from MIJ to CIJ"}],"author":[{"name":{"$t":"Unknown"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"16","height":"16","src":"https:\/\/img1.blogblog.com\/img\/b16-rounded.gif"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEi_8ykPr6fCr8xYcvoyoavIm_UbhWbQbw3gk9IpmMJrbG8ZSboPOGQYd-e65QcxY_wO19onzbfSQfseKwj7jfMj1PvsH8vgjypmJpUyjBEvldn01tUtsipPWV0FIQtVPQbBVcmU6CVj7d8\/s72-c\/FujiGen+Gakki%2527s+last+Fender+%252750s+%252760s+Reissue+Strats.JPG","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-4485063470815328574.post-4995204347054516021"},"published":{"$t":"2011-12-31T21:04:00.002+01:00"},"updated":{"$t":"2021-05-04T07:17:11.864+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"1996"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Alesis"},{"scheme":"http://www.blogger.com/atom/ns#","term":"compressor"},{"scheme":"http://www.blogger.com/atom/ns#","term":"musictech"},{"scheme":"http://www.blogger.com/atom/ns#","term":"NanoCompressor"},{"scheme":"http://www.blogger.com/atom/ns#","term":"review"},{"scheme":"http://www.blogger.com/atom/ns#","term":"studio"}],"title":{"type":"text","$t":"1996 Alesis NanoCompressor"},"summary":{"type":"text","$t":"\n\nThe Alesis NanoCompressor was launched in 1996 as part of the Nano range of 1\/3-rack-space project studio devices. As far as I can tell, it’s a scaled down version of the component compressor from the incredibly successful Alesis 3630 (introduced in 1991). The 3630 incorporates two of these compressors, both with its own noise gate, whereas the Nano is just a single one, without a gate. I’d say"},"link":[{"rel":"edit","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/4995204347054516021"},{"rel":"self","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/4995204347054516021"},{"rel":"alternate","type":"text/html","href":"https:\/\/planetbotch.blogspot.com\/2011\/12\/1996-alesis-nanocompressor.html","title":"1996 Alesis NanoCompressor"}],"author":[{"name":{"$t":"Unknown"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"16","height":"16","src":"https:\/\/img1.blogblog.com\/img\/b16-rounded.gif"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEj8UeOTX8hzIIfbG4kiZtNjxvJYqxDp-ZGGunHHhHquHHj-KdhiLv5yTPMWYMjRFiYqIQHNL_RufZRKRm3rDDL4J2qKAoNjfMYtuZ2sqymbcgR12-AJ7vo97BJPDAe7Jv_6gvpVizLlTEI\/s72-c\/Alesis+NanoCompressor.jpg","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-4485063470815328574.post-7819881534844064897"},"published":{"$t":"2011-12-17T20:46:00.001+01:00"},"updated":{"$t":"2022-08-12T18:01:42.713+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"1996"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Alesis"},{"scheme":"http://www.blogger.com/atom/ns#","term":"budget"},{"scheme":"http://www.blogger.com/atom/ns#","term":"musictech"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Nanoverb"},{"scheme":"http://www.blogger.com/atom/ns#","term":"reverb"}],"title":{"type":"text","$t":"Original 1996 Alesis NanoVerb"},"summary":{"type":"text","$t":"\n\n\nYes, it’s another of the sandwich-sized Alesis studio units up for a revisit in this piece. This is the Nanoverb, of 1996 vintage – primarily a high quality reverb, but, like the NanoPiano I looked at yesterday, also carrying a raft of extra features in an attempt to woo the undecided.\n\nThe Nanoverb was yet another shot in the Alesis war on price barriers. Ever since the MIDIVerb brought "},"link":[{"rel":"edit","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/7819881534844064897"},{"rel":"self","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/7819881534844064897"},{"rel":"alternate","type":"text/html","href":"https:\/\/planetbotch.blogspot.com\/2011\/12\/original-1996-alesis-nanoverb.html","title":"Original 1996 Alesis NanoVerb"}],"author":[{"name":{"$t":"Unknown"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"16","height":"16","src":"https:\/\/img1.blogblog.com\/img\/b16-rounded.gif"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEggBTWQxMqH0E1fZMuTBDjbOOWQwIahRW2G0wpT5lPvLno7hfPxX3IbgK9hNSb-OU3R4h7fWqygawO1WzXUaAVK3xZs-AxQLdTBB62lP_qZYuOpybnoZ7zU5eIPw8rzZRIYDhzEzOsvduE\/s72-c\/Alesis+NanoVerb.jpg","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-4485063470815328574.post-304001419740600421"},"published":{"$t":"2011-12-05T22:30:00.001+01:00"},"updated":{"$t":"2022-08-12T17:37:30.691+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"1996"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Korg"},{"scheme":"http://www.blogger.com/atom/ns#","term":"musictech"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Prophecy"},{"scheme":"http://www.blogger.com/atom/ns#","term":"solo"},{"scheme":"http://www.blogger.com/atom/ns#","term":"synthesizer"}],"title":{"type":"text","$t":"1996 Korg Prophecy Solo Synth"},"summary":{"type":"text","$t":"\n\nBy the early 1990s, the trend in synthesis was firmly anchored in sample-based tone production. A large collection of real instrument multisamples would be recorded and assembled in the synth’s memory, then a series of digital subtractive parameters would be employed to tailor the basic multisample to taste. Programmers would produce a set of factory presets, the synth would ship, and more "},"link":[{"rel":"edit","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/304001419740600421"},{"rel":"self","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/304001419740600421"},{"rel":"alternate","type":"text/html","href":"https:\/\/planetbotch.blogspot.com\/2011\/12\/1996-korg-prophecy-solo-synth.html","title":"1996 Korg Prophecy Solo Synth"}],"author":[{"name":{"$t":"Unknown"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"16","height":"16","src":"https:\/\/img1.blogblog.com\/img\/b16-rounded.gif"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhQm6mpt8mleYPtc2IX0Zxs9pwD-hx6C4ZOPaghQlcklKhxxetJfCiUEC5zGcmsWF6Asv9Ps28J9zKwhwnbvytRIo57iWT5T38J5awfVS3kVGiaeGkm0ug3Dyy1vNQ3mpfzNsBtA43lBO8\/s72-c\/Korg+Prophecy+Solo+Synthesizer.JPG","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-4485063470815328574.post-5378924566092423039"},"published":{"$t":"2011-10-26T13:06:00.001+01:00"},"updated":{"$t":"2021-04-30T15:40:53.250+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"1996"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Hammond"},{"scheme":"http://www.blogger.com/atom/ns#","term":"module"},{"scheme":"http://www.blogger.com/atom/ns#","term":"musictech"},{"scheme":"http://www.blogger.com/atom/ns#","term":"organ"},{"scheme":"http://www.blogger.com/atom/ns#","term":"XM1"}],"title":{"type":"text","$t":"1996 Hammond XM1 Organ Module"},"summary":{"type":"text","$t":"\n\nThe mid ‘90s will probably best be remembered by many keyboardists for the introduction of the Korg Prophecy and the development of digital synths which pretended they were analogues. In the month when Keyboard Review magazine took a first look at the Hammond XM1 and its XMc1 drawbar controller unit, for example (August 1996 – hitting the shops in the July), Yamaha’s brand new CS1x control "},"link":[{"rel":"edit","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/5378924566092423039"},{"rel":"self","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/5378924566092423039"},{"rel":"alternate","type":"text/html","href":"https:\/\/planetbotch.blogspot.com\/2011\/10\/1996-hammond-xm1-organ-module.html","title":"1996 Hammond XM1 Organ Module"}],"author":[{"name":{"$t":"Unknown"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"16","height":"16","src":"https:\/\/img1.blogblog.com\/img\/b16-rounded.gif"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEh39gbMYOJYnF_wJsC-gbXHzVe6w9dZNvMTtQDWdBwT6Ey_BHiMjsxwQmspR0D1p2MvTm1g3LwZF5_2hbKt61N6Pt2lxn3v2nFmNBpu_wZZKVKuQgVd2nAtosy7YERQFKUbQvvSqe7qIMA\/s72-c\/Hammond+XM1.jpg","height":"72","width":"72"}}]}});