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"}],"author":[{"name":{"$t":"Unknown"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"16","height":"16","src":"https:\/\/img1.blogblog.com\/img\/b16-rounded.gif"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgWeGZ8OHoMfDaHn_awwU2RkcLtPNjti1o8YmtW8vzMwUCKcfqRfpuiv2hEC1UtqYsuKeeFufPBlMhczxvzaoR2e3T41BZMGXzhWQzoBbFdmpFNEY4bTnWxXFHVQ0Sq5oPIVdXuGGUW5DU\/s72-c\/Back+to+Tape.JPG","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-4485063470815328574.post-6879593932781788790"},"published":{"$t":"2014-08-14T19:35:00.001+01:00"},"updated":{"$t":"2022-08-11T11:53:22.170+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"1990s"},{"scheme":"http://www.blogger.com/atom/ns#","term":"music"},{"scheme":"http://www.blogger.com/atom/ns#","term":"musictech"},{"scheme":"http://www.blogger.com/atom/ns#","term":"PC"},{"scheme":"http://www.blogger.com/atom/ns#","term":"recording"},{"scheme":"http://www.blogger.com/atom/ns#","term":"SoundFont"},{"scheme":"http://www.blogger.com/atom/ns#","term":"technology"}],"title":{"type":"text","$t":"The Joy of SoundFonts"},"summary":{"type":"text","$t":"If you recorded on a PC in the 1990s and used a Sound Blaster sound card, you’ll probably remember very well the joy of SoundFonts. Whilst the SoundFont system of the mid ‘90s was fairly rapidly superseded at the cutting edge of home PC recording by straight audio multitracking and VST, it was a fantastically efficient early method of turning your PC’s tacky internal GM (General MIDI) sound bank "},"link":[{"rel":"edit","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/6879593932781788790"},{"rel":"self","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/6879593932781788790"},{"rel":"alternate","type":"text/html","href":"https:\/\/planetbotch.blogspot.com\/2014\/08\/the-joy-of-soundfonts.html","title":"The Joy of SoundFonts"}],"author":[{"name":{"$t":"Unknown"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"16","height":"16","src":"https:\/\/img1.blogblog.com\/img\/b16-rounded.gif"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgxszM8p6DvlExOc25UmcLQ6ssUMUhyphenhyphenz2i7chjU0fk-ln5ZQZltCWFGsipzZxlT-roEUbYk8nJ2VK9kzl1oeLEg1qzoBII3DoOyV3md0s-IoiuW9JeGx2VUJJtQwMF4oBD3HrD_d-_9VA4\/s72-c\/Loading+a+Sample+into+the+Soundfont+Compiler.png","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-4485063470815328574.post-5048884978304357313"},"published":{"$t":"2014-08-08T14:06:00.005+01:00"},"updated":{"$t":"2022-08-11T12:05:09.925+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"1990s"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Fostex"},{"scheme":"http://www.blogger.com/atom/ns#","term":"MIDI"},{"scheme":"http://www.blogger.com/atom/ns#","term":"musictech"},{"scheme":"http://www.blogger.com/atom/ns#","term":"recording"},{"scheme":"http://www.blogger.com/atom/ns#","term":"technology"}],"title":{"type":"text","$t":"The Fostex DCM100 and MixTab: MIDI Control for Analogue Mixing "},"summary":{"type":"text","$t":"As was evident in my piece on the R8 and MTC1 combo, early on Fostex spotted the huge significance of MIDI not just in sequencing and instrument control, but also in the control of recording hardware. In the ‘80s, various non-digital music products (guitar processors, for example) had started to appear with MIDI, but the interface would often be added like it was some kind of obligation, with "},"link":[{"rel":"edit","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/5048884978304357313"},{"rel":"self","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/5048884978304357313"},{"rel":"alternate","type":"text/html","href":"https:\/\/planetbotch.blogspot.com\/2014\/08\/the-fostex-dcm100-and-mixtab-midi-control-for-analogue-mixing.html","title":"The Fostex DCM100 and MixTab: MIDI Control for Analogue Mixing "}],"author":[{"name":{"$t":"Unknown"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"16","height":"16","src":"https:\/\/img1.blogblog.com\/img\/b16-rounded.gif"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjGzEqicNelXORqFj2cKuSFgsDNj_0WOkA081wgVapLOlD4Hc0L51hJveWGg4kpqtUrn4RM5rOHVsopNefXDr2flBuh8IH8oaJ3oPra8HrPy9kXtPOPjOkk7-GqA7rPtCChPHuO52EsDeQ\/s72-c\/Fostex+DCM100+and+MixTab.JPG","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-4485063470815328574.post-3123843781033410929"},"published":{"$t":"2014-08-03T22:35:00.001+01:00"},"updated":{"$t":"2022-08-11T12:18:13.557+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"1980s"},{"scheme":"http://www.blogger.com/atom/ns#","term":"1990s"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Fostex"},{"scheme":"http://www.blogger.com/atom/ns#","term":"home recording"},{"scheme":"http://www.blogger.com/atom/ns#","term":"music"},{"scheme":"http://www.blogger.com/atom/ns#","term":"musictech"},{"scheme":"http://www.blogger.com/atom/ns#","term":"recording"},{"scheme":"http://www.blogger.com/atom/ns#","term":"technology"}],"title":{"type":"text","$t":"The Fostex R8 - Time Code Magic"},"summary":{"type":"text","$t":"Lately I’ve been digging out a lot of my pre-digital recordings (pre-digital audio, that is, although some are even pre-MIDI!), and it’s prompted me to spend more time in the present recording with old hardware instruments rather than doing most of the work in the virtual domain. There’s something about using hardware instruments that you don’t get with a computer. Even though most of the "},"link":[{"rel":"edit","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/3123843781033410929"},{"rel":"self","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/3123843781033410929"},{"rel":"alternate","type":"text/html","href":"https:\/\/planetbotch.blogspot.com\/2014\/08\/the-fostex-r8-time-code-magic.html","title":"The Fostex R8 - Time Code Magic"}],"author":[{"name":{"$t":"Unknown"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"16","height":"16","src":"https:\/\/img1.blogblog.com\/img\/b16-rounded.gif"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgQA2cHG2cyECfmMUw1FwUgsEwaFB0ut7WNNgltwNim2xJ7j6dVg6YlG0cN7K5lGKjM2acwj_knh_0aKHep4wBOgiJ3CJhTA8qS8PiuXNZ100uQOeVw6-99IRJ4MxgLxeewsfN20pmSH6k\/s72-c\/Fostex+R8+UK+Picture+Ad+-+1990.JPG","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-4485063470815328574.post-2659139178026697233"},"published":{"$t":"2012-10-30T15:56:00.002+01:00"},"updated":{"$t":"2022-08-14T07:56:25.535+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"1990s"},{"scheme":"http://www.blogger.com/atom/ns#","term":"1996"},{"scheme":"http://www.blogger.com/atom/ns#","term":"analogue"},{"scheme":"http://www.blogger.com/atom/ns#","term":"digital"},{"scheme":"http://www.blogger.com/atom/ns#","term":"home"},{"scheme":"http://www.blogger.com/atom/ns#","term":"musictech"},{"scheme":"http://www.blogger.com/atom/ns#","term":"recording"}],"title":{"type":"text","$t":"Home Recording in the 1990s"},"summary":{"type":"text","$t":"The concept of keeping pretty much all of a home recording within the casing of a computer has now been with us for so long that it can be hard to recount how the home recordist of yesteryear would carry out the same tasks. Virtual instruments revolutionised home recording, and a world without them now seems almost unthinkable. But I want to look back in this piece at a method of home recording "},"link":[{"rel":"edit","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/2659139178026697233"},{"rel":"self","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/2659139178026697233"},{"rel":"alternate","type":"text/html","href":"https:\/\/planetbotch.blogspot.com\/2012\/10\/home-recording-in-1990s.html","title":"Home Recording in the 1990s"}],"author":[{"name":{"$t":"Unknown"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"16","height":"16","src":"https:\/\/img1.blogblog.com\/img\/b16-rounded.gif"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiQ8dj8_VEuMKz5X7ajmucTeoS-wJQVfAmcJ0O6XE5-05nToSOKNK6y9xAXzlD06-J8G0G_5vwjWYROaG4vImAk-auJGs7lER_AgA9DbJe0vLoTtem3E1MtA4vMH20G8Z2Ae8BNH5hRCQ4\/s72-c\/A+1990s+Home+Recording+Setup.JPG","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-4485063470815328574.post-5588857879397413226"},"published":{"$t":"2012-03-18T22:25:00.001+01:00"},"updated":{"$t":"2022-08-13T13:15:03.662+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"1980s"},{"scheme":"http://www.blogger.com/atom/ns#","term":"1990s"},{"scheme":"http://www.blogger.com/atom/ns#","term":"MIDI"},{"scheme":"http://www.blogger.com/atom/ns#","term":"musictech"},{"scheme":"http://www.blogger.com/atom/ns#","term":"PC"},{"scheme":"http://www.blogger.com/atom/ns#","term":"recording"},{"scheme":"http://www.blogger.com/atom/ns#","term":"sequencer"},{"scheme":"http://www.blogger.com/atom/ns#","term":"sequencing"},{"scheme":"http://www.blogger.com/atom/ns#","term":"virtual"},{"scheme":"http://www.blogger.com/atom/ns#","term":"virtual instruments"}],"title":{"type":"text","$t":"A Brief History of MIDI"},"summary":{"type":"text","$t":"\n\n\nFor just over a decade between the mid ‘eighties and the mid ‘nineties, MIDI was the be-all-and-end-all of so many amateur musicians’ creative lives. In fact, MIDI is still one of the most important elements in today’s commercial music. It’s just that it does its job a lot more stealthily these days, and it’s part of a wider raft of options for all amateur musicians.\n\nMusical Instrument "},"link":[{"rel":"edit","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/5588857879397413226"},{"rel":"self","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/5588857879397413226"},{"rel":"alternate","type":"text/html","href":"https:\/\/planetbotch.blogspot.com\/2012\/03\/brief-history-of-midi.html","title":"A Brief History of MIDI"}],"author":[{"name":{"$t":"Unknown"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"16","height":"16","src":"https:\/\/img1.blogblog.com\/img\/b16-rounded.gif"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhaOFRTMxTBBT_xYTZPyuHoz2YZz-YZhXWnKN9m6OfMbFeLjsbJEb0kMLA_O_PViMqiaM1UCkfmWoh3Gq69shlFrk8WR5QyFAmDA7De8l1UkltjwClAdv-hjEDx8sIo7b_zGkjiB2mb48w\/s72-c\/MIDI+Sockets+Hardware+Sequencer.jpg","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-4485063470815328574.post-2100481108660806658"},"published":{"$t":"2012-02-05T17:27:00.002+01:00"},"updated":{"$t":"2022-08-13T10:15:21.354+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"FreeST"},{"scheme":"http://www.blogger.com/atom/ns#","term":"freeware"},{"scheme":"http://www.blogger.com/atom/ns#","term":"recording"},{"scheme":"http://www.blogger.com/atom/ns#","term":"reggae"},{"scheme":"http://www.blogger.com/atom/ns#","term":"ska"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Skanksta"},{"scheme":"http://www.blogger.com/atom/ns#","term":"virtual organ"},{"scheme":"http://www.blogger.com/atom/ns#","term":"VST"},{"scheme":"http://www.blogger.com/atom/ns#","term":"VSTi"}],"title":{"type":"text","$t":"FreeST Skanksta Virtual Organ VSTi"},"summary":{"type":"text","$t":"\n\n[UPDATE: The Skanksta has now been replaced by a far superior freeware alternative. The current update on this theme is the vastly superior Undercult. Hit this link for the Vox Continental II inspired Undercult. It will kick proverbial posterior in your VST-hosted ska, mod and soul recordings.] \n\nThe Skanksta is a ska-orientated VST organ, designed to produce a light and bright sound which will"},"link":[{"rel":"edit","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/2100481108660806658"},{"rel":"self","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/2100481108660806658"},{"rel":"alternate","type":"text/html","href":"https:\/\/planetbotch.blogspot.com\/2012\/02\/freest-skanksta-virtual-organ-vsti.html","title":"FreeST Skanksta Virtual Organ VSTi"}],"author":[{"name":{"$t":"Unknown"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"16","height":"16","src":"https:\/\/img1.blogblog.com\/img\/b16-rounded.gif"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgJMhURQarCJIO3dD4IPj3NmGnkpaKgBLJPPNqssMxeJwNVFtPTIvLH4SQ1KOberJ7NJ7h2CbLzigMS2PuPnQDY2xdHbll7slHCzsDSum7CHhElivmLh8VFrnG9e9xDs0SQ23LKR1Kz9jw\/s72-c\/TheSkanksta.jpg","height":"72","width":"72"}}]}});