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However, the Ensembletron is by no means a copy. \n\nApart from offering a high quality yet gritty and slightly rough string sound with "},"link":[{"rel":"edit","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/4636014016023870511"},{"rel":"self","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/4636014016023870511"},{"rel":"alternate","type":"text/html","href":"https:\/\/planetbotch.blogspot.com\/2015\/12\/the-ensembletron-string-synth-freeware.html","title":"The Ensembletron String Synth Freeware VSTi"}],"author":[{"name":{"$t":"Unknown"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"16","height":"16","src":"https:\/\/img1.blogblog.com\/img\/b16-rounded.gif"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjKIZt1GLMe681t6e2yJjODNiVC93sGXSU99skAruf5gE_rvw_-8qT4_tIROtN_5C7UHG8K4ydWCSu5Do2RBwZN_G1YNaHHv9fXvN7CZDLteWSs8Wg6cMBRq80ZPpuybwQpxFVezm6KzpQ\/s72-c\/Ensembletron+String+Synth.png","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-4485063470815328574.post-8790686767224068011"},"published":{"$t":"2015-12-07T20:16:00.003+01:00"},"updated":{"$t":"2022-08-11T08:54:28.409+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"05R\/W"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Korg"},{"scheme":"http://www.blogger.com/atom/ns#","term":"module"},{"scheme":"http://www.blogger.com/atom/ns#","term":"musictech"},{"scheme":"http://www.blogger.com/atom/ns#","term":"synthesizer"}],"title":{"type":"text","$t":"The Korg 05R\/W - Review and Retrospective"},"summary":{"type":"text","$t":"\n\nCunningly promoted in its 1993 release year as “The Korg Disguise Kit For Other Keyboards”, the 05R\/W synthesizer module was unleashed unto a world in which MS-DOS was still Microsoft’s primary computer operating system, and most serious amateur musicians were still recording on tape. Computer-based audio multitrackers were making their way into circulation, but the ones that actually worked "},"link":[{"rel":"edit","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/8790686767224068011"},{"rel":"self","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/8790686767224068011"},{"rel":"alternate","type":"text/html","href":"https:\/\/planetbotch.blogspot.com\/2015\/12\/the-korg-05rw-review-and-retrospective.html","title":"The Korg 05R\/W - Review and Retrospective"}],"author":[{"name":{"$t":"Unknown"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"16","height":"16","src":"https:\/\/img1.blogblog.com\/img\/b16-rounded.gif"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiRfZp9GVcUUmG3sPd0mW1FpWmxsR-zG31NC33ALNWVCY2ANchhYkp5PnrWxgc9iCCmj6zbekjZBqtmbpg1mwoIsQz_1ZT6iCye7Qsk3_puHFixs4J1Lvqo6fjsGlG2cU0hy14AIqMamxM\/s72-c\/Korg+05RW+Photo.JPG","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-4485063470815328574.post-6777510012798218369"},"published":{"$t":"2015-04-24T17:06:00.005+01:00"},"updated":{"$t":"2022-08-11T09:15:28.879+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"1980s"},{"scheme":"http://www.blogger.com/atom/ns#","term":"guitar"},{"scheme":"http://www.blogger.com/atom/ns#","term":"musictech"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Shadow"},{"scheme":"http://www.blogger.com/atom/ns#","term":"synthesizer"}],"title":{"type":"text","$t":"Shadow MIDI Guitar Synthesis in the 1980s"},"summary":{"type":"text","$t":"\n\n\nBoasting 21st century technology as early as the 1980s, the German company Shadow powerfully marketed a range of guitar-related products through the era of spandex and headbands. With a range running from a well-established assortment of innovative guitar pickups, right up to complete guitars like the SHP-01 (electric solid with acoustic sound), and the SH1 (Superstrat with both passive and "},"link":[{"rel":"edit","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/6777510012798218369"},{"rel":"self","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/6777510012798218369"},{"rel":"alternate","type":"text/html","href":"https:\/\/planetbotch.blogspot.com\/2015\/04\/shadow-midi-guitar-synthesis-in-1980s.html","title":"Shadow MIDI Guitar Synthesis in the 1980s"}],"author":[{"name":{"$t":"Unknown"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"16","height":"16","src":"https:\/\/img1.blogblog.com\/img\/b16-rounded.gif"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgemufeWjVCSKjjC7fN69Q6GdnZFoRZHg76p541Hq7Lk8b-ZcJw961Fp-Zi97XFH5VgdcNmC9U2QrsY7QKLvF2dSPVbnDb9ZpyHEa6la_uJAyrjGlM1qyNXg5G8X6G3_fX_obbKPxXGHG4\/s72-c\/Shadow+MIDI+Guitar+Systems.JPG","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-4485063470815328574.post-3968974817789899120"},"published":{"$t":"2014-10-17T17:42:00.003+01:00"},"updated":{"$t":"2022-08-11T09:55:31.722+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"1980s"},{"scheme":"http://www.blogger.com/atom/ns#","term":"digital"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Korg"},{"scheme":"http://www.blogger.com/atom/ns#","term":"musictech"},{"scheme":"http://www.blogger.com/atom/ns#","term":"piano"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Roland"},{"scheme":"http://www.blogger.com/atom/ns#","term":"synthesizer"},{"scheme":"http://www.blogger.com/atom/ns#","term":"technology"}],"title":{"type":"text","$t":"The House Piano Sound Explained"},"summary":{"type":"text","$t":"It’s not rocket science, but the Italian house piano sound, which drove so many iconic dance music tracks from the late ’80s and the ’90s, does often raise questions among younger musicians. The overall sonic package was really a product of minor technical failure on the part of keyboard manufacturers, who were trying to replicate real pianos in the digital domain, but due to technological "},"link":[{"rel":"edit","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/3968974817789899120"},{"rel":"self","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/3968974817789899120"},{"rel":"alternate","type":"text/html","href":"https:\/\/planetbotch.blogspot.com\/2014\/10\/the-house-piano-sound-explained.html","title":"The House Piano Sound Explained"}],"author":[{"name":{"$t":"Unknown"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"16","height":"16","src":"https:\/\/img1.blogblog.com\/img\/b16-rounded.gif"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgkBLeFshj9o1ZBGyMrrt8KwjIknNxzgGcM2KoVorFR9K3DT6iwri2HZJMcTWBB5VzoGkIbReUR7ZikOVMtlDFyE-rU7_XxysKvYBQJcCk48M-YPhQ9hUpS9Z59P6LP1JqAFMU0hPMRTt4\/s72-c\/Katrin+Quinol+with+Black+Box+-+Ride+On+Time+-+1989.JPG","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-4485063470815328574.post-1483055762145269861"},"published":{"$t":"2014-08-24T19:54:00.005+01:00"},"updated":{"$t":"2022-10-24T23:27:39.195+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"1980s"},{"scheme":"http://www.blogger.com/atom/ns#","term":"guitars"},{"scheme":"http://www.blogger.com/atom/ns#","term":"musictech"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Stepp"},{"scheme":"http://www.blogger.com/atom/ns#","term":"synthesizer"}],"title":{"type":"text","$t":"The Stepp DG1 Guitar Synthesizer"},"summary":{"type":"text","$t":"Last Friday evening, whilst riveted to the Kate Bush night on BBC4, I experienced, within a huge and powerful wave of nostalgia, a flashback to the short era of a guitar synthesizer which I’d assimilated with great interest in 1986, but subsequently forgotten all about. \n\nThe instrument in question was featured in an old 1986 rendition of Experiment IV from BBC1’s Wogan show. The performance had "},"link":[{"rel":"edit","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/1483055762145269861"},{"rel":"self","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/1483055762145269861"},{"rel":"alternate","type":"text/html","href":"https:\/\/planetbotch.blogspot.com\/2014\/08\/the-stepp-dg1-guitar-synthesizer.html","title":"The Stepp DG1 Guitar Synthesizer"}],"author":[{"name":{"$t":"Unknown"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"16","height":"16","src":"https:\/\/img1.blogblog.com\/img\/b16-rounded.gif"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjmkkYUilom6eTUASomIQrE0biByE-u_2cU5zFM88r-2wX8ek1kc7IxSMGsu2m79mjMVjZ2MhqC_E8lXdHRio8219jsm4L6yHVZmOdEoD_uEEYlt_sitPnvzxDbkJrFfS6pLGIebYEpqoc\/s72-c\/Stepp+DG1.JPG","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-4485063470815328574.post-8383056185859083615"},"published":{"$t":"2014-08-16T20:07:00.004+01:00"},"updated":{"$t":"2022-09-20T17:37:12.083+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"1980s"},{"scheme":"http://www.blogger.com/atom/ns#","term":"1990s"},{"scheme":"http://www.blogger.com/atom/ns#","term":"guitars"},{"scheme":"http://www.blogger.com/atom/ns#","term":"MIDI"},{"scheme":"http://www.blogger.com/atom/ns#","term":"musictech"},{"scheme":"http://www.blogger.com/atom/ns#","term":"synthesizer"}],"title":{"type":"text","$t":"In Memory of... The SynthAxe"},"summary":{"type":"text","$t":"The green one reminded me of a lawnmower for some reason… But let us not any further cheapen this reflection on what is, even with the benefit of hindsight, another musical marvel from the mid 1980s… \n\nIf you were a guitar enthusiast in the distant depths of spring 1984 and you happened to stumble upon and buy the very first issue of Guitarist magazine, you’ll doubtless recall an introduction to "},"link":[{"rel":"edit","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/8383056185859083615"},{"rel":"self","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/8383056185859083615"},{"rel":"alternate","type":"text/html","href":"https:\/\/planetbotch.blogspot.com\/2014\/08\/in-memory-of-synthaxe.html","title":"In Memory of... The SynthAxe"}],"author":[{"name":{"$t":"Unknown"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"16","height":"16","src":"https:\/\/img1.blogblog.com\/img\/b16-rounded.gif"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiu1388fIb-O3WtkFcxdw-kk9G_9tJmS4ryZOTy74hf-vV66I2JGER8ZDshPwlElCum6P-isCOSK7gLJreMF-MYksIM4Kzl4GNVDyOmNaGRV0oNwFza8ayfhaKQIyQ-2KQpfd69DqYzTzo\/s72-c\/SynthAxe+Advert+Recomposed+1990.png","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-4485063470815328574.post-479500907271572776"},"published":{"$t":"2014-07-28T14:21:00.001+01:00"},"updated":{"$t":"2022-08-11T12:29:13.869+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"1980s"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Korg"},{"scheme":"http://www.blogger.com/atom/ns#","term":"musictech"},{"scheme":"http://www.blogger.com/atom/ns#","term":"synthesizer"}],"title":{"type":"text","$t":"The Korg 707 Synthesizer"},"summary":{"type":"text","$t":"\n\n\nSo... what were Korg actually selling whilst they were developing the legendary M1? It’s quite a good question actually, which can raise a few umms and ahhhs. You might hear the odd reference to 1985’s DW8000 and DW6000, which were, despite their analogue elements, the beginning of the descendency line for the Korg M1, and indeed S\u0026S (Sample and Synthesis) synths in general. The monotimbral "},"link":[{"rel":"edit","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/479500907271572776"},{"rel":"self","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/479500907271572776"},{"rel":"alternate","type":"text/html","href":"https:\/\/planetbotch.blogspot.com\/2014\/07\/the-korg-707-synthesizer.html","title":"The Korg 707 Synthesizer"}],"author":[{"name":{"$t":"Unknown"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"16","height":"16","src":"https:\/\/img1.blogblog.com\/img\/b16-rounded.gif"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhZG-F1h4ZOnRmN_2YKe0MLmb4pnPrANRQswJOhdm9tPFmAdGnh9bwvcWpyw91RPK93_0EKs6SaGmkdKyO4OCcjcxDvhg47Vy3jJ6mvIE0PG5bg59NEKo9E6kLMmy9evnuByY1UxFYA5q8\/s72-c\/Korg+707+Snythesizer+lo+res.JPG","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-4485063470815328574.post-4082062299008803808"},"published":{"$t":"2014-07-27T16:51:00.006+01:00"},"updated":{"$t":"2022-08-11T12:46:21.280+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"1980s"},{"scheme":"http://www.blogger.com/atom/ns#","term":"DX7"},{"scheme":"http://www.blogger.com/atom/ns#","term":"musicbusiness"},{"scheme":"http://www.blogger.com/atom/ns#","term":"musictech"},{"scheme":"http://www.blogger.com/atom/ns#","term":"synthesizer"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Yamaha"}],"title":{"type":"text","$t":"The Classic Yamaha DX Synths: A 1980s Revolution"},"summary":{"type":"text","$t":"\n\n\nIn the history of popular music, there’s never really been anything else like FM. Frequency Modulation, brought to the mass market by Yamaha through the first half of the 1980s and culminating in the monstrously successful DX range, wasn’t just a new method of synthesis. It was a revolution, changing the synthesizer’s role in music. Formerly, the synthesizer had made futuristic noises and "},"link":[{"rel":"edit","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/4082062299008803808"},{"rel":"self","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/4082062299008803808"},{"rel":"alternate","type":"text/html","href":"https:\/\/planetbotch.blogspot.com\/2014\/07\/the-classic-yamaha-dx-synths-1980s.html","title":"The Classic Yamaha DX Synths: A 1980s Revolution"}],"author":[{"name":{"$t":"Unknown"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"16","height":"16","src":"https:\/\/img1.blogblog.com\/img\/b16-rounded.gif"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgvj-GX6faO1WaEebIzNZUVRCRBDCkd6d72edY18dZCaISnlngi_whoxn6a0W7vhSaPFZOHa9q3UqYiJ7degYAUaOAzdo3JE8YHva2HSr6xyysapNQwzk2LZa7sL9CEZUzFiEUqDdKDb_s\/s72-c\/Yamaha+DX9.png","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-4485063470815328574.post-4383014066359595514"},"published":{"$t":"2014-07-17T20:53:00.002+01:00"},"updated":{"$t":"2022-08-11T13:08:48.109+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"1980s"},{"scheme":"http://www.blogger.com/atom/ns#","term":"keybaord"},{"scheme":"http://www.blogger.com/atom/ns#","term":"musictech"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Roland"},{"scheme":"http://www.blogger.com/atom/ns#","term":"synthesizer"}],"title":{"type":"text","$t":"The Arrival of the Roland D50 Synthesizer"},"summary":{"type":"text","$t":"In 1986, Roland were getting comprehensively hammered in commercial terms by Yamaha and its almost cynically expanded range of FM (frequency Modulation) synthesizers.\n\n“How much would you like to spend, Sir?… £650? No probs, here’s a DX21… £350? Cool. Let me introduce you to the DX100…” No matter what the keyboard player’s budget, Yamaha had a nice, shiny DX-something-or-other to accommodate "},"link":[{"rel":"edit","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/4383014066359595514"},{"rel":"self","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/4383014066359595514"},{"rel":"alternate","type":"text/html","href":"https:\/\/planetbotch.blogspot.com\/2014\/07\/the-arrival-of-roland-d50-synthesizer.html","title":"The Arrival of the Roland D50 Synthesizer"}],"author":[{"name":{"$t":"Unknown"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"16","height":"16","src":"https:\/\/img1.blogblog.com\/img\/b16-rounded.gif"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEidlLeInCk6quRwBFSEoSrW43XvE7lVO8g2CiEsEXoT_MlU7qPVsnjaUiSiq4UNH8GVabLVRItQXK4zzWMsbMSgnBMGo1QKUhgM9ERaTeqyZs2uTPjRVOcjrX-z620uQwhTnWY5PHwyDHQ\/s72-c\/Original+UK+Roland+D50+Advert+1987.png","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-4485063470815328574.post-3654941450436168478"},"published":{"$t":"2014-07-15T17:36:00.001+01:00"},"updated":{"$t":"2022-08-11T13:31:53.307+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"1990s"},{"scheme":"http://www.blogger.com/atom/ns#","term":"keyboard"},{"scheme":"http://www.blogger.com/atom/ns#","term":"musictech"},{"scheme":"http://www.blogger.com/atom/ns#","term":"synthesizer"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Yamaha"}],"title":{"type":"text","$t":"The Yamaha CS1x Control Synth of 1996"},"summary":{"type":"text","$t":"Yamaha defined digital synthesis with products like the DX7, so the brand was always going to be a big player in the world of electronic keyboards. But what made Yamaha positively huge was its ability to cut to the chase. That’s precisely what the Yamaha CS1x synth of 1996 did. This was an instrument that seized the moment in a way that rivals had missed, and once again scored an unmitigated "},"link":[{"rel":"edit","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/3654941450436168478"},{"rel":"self","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/3654941450436168478"},{"rel":"alternate","type":"text/html","href":"https:\/\/planetbotch.blogspot.com\/2014\/07\/the-yamaha-cs1x-control-synth-of-1996.html","title":"The Yamaha CS1x Control Synth of 1996"}],"author":[{"name":{"$t":"Unknown"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"16","height":"16","src":"https:\/\/img1.blogblog.com\/img\/b16-rounded.gif"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhBDdOm0joVeHZIrKyY6qKywRDjDCtiH3-tpX06Ny2uUlruWQBPyvGPsbNRKKl2gaVEyZnLsLtcFWY1kiTO0S3aBfv5Pz7EnFdk3Hqqw5zq8PMGMeXoN_9rxWmpdjwyrYVQmFTgkaHNgJ8\/s72-c\/Yamaha+CS1x+ad+1996.png","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-4485063470815328574.post-7667781739579774533"},"published":{"$t":"2011-12-11T19:03:00.001+01:00"},"updated":{"$t":"2022-08-12T17:55:04.041+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"1980s"},{"scheme":"http://www.blogger.com/atom/ns#","term":"DX7"},{"scheme":"http://www.blogger.com/atom/ns#","term":"musictech"},{"scheme":"http://www.blogger.com/atom/ns#","term":"original"},{"scheme":"http://www.blogger.com/atom/ns#","term":"synthesizer"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Yamaha"}],"title":{"type":"text","$t":"The Original Yamaha DX7"},"summary":{"type":"text","$t":"\n\n\nThere can be very few musicians who don’t instantly think of a particular sound, or even a particular track, when someone mentions the Yamaha DX7. With its record breaking sales stats, the DX7 synthesizer was inescapably ubiquitous in the recording industry during the mid to late 1980s. It was only monotimbral, and only had a 14-bit digital to analogue converter, but in its day it was "},"link":[{"rel":"edit","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/7667781739579774533"},{"rel":"self","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/7667781739579774533"},{"rel":"alternate","type":"text/html","href":"https:\/\/planetbotch.blogspot.com\/2011\/12\/original-yamaha-dx7.html","title":"The Original Yamaha DX7"}],"author":[{"name":{"$t":"Unknown"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"16","height":"16","src":"https:\/\/img1.blogblog.com\/img\/b16-rounded.gif"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhSn6N_wD7_ghgJT-EcLxn4F7dX9Kg-t2e438kveZGp9WNqTTc1gKGQ4WWUG-nRVlBUBPpHVrvC2J1SgqkPMC-Zl7tHY9DvhDhcftFtlE49viqP0PirDTRHYRzGx5nxtIzKvwFPMrRq39k\/s72-c\/Yamaha+DX7+Mk+1.jpg","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-4485063470815328574.post-304001419740600421"},"published":{"$t":"2011-12-05T22:30:00.001+01:00"},"updated":{"$t":"2022-08-12T17:37:30.691+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"1996"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Korg"},{"scheme":"http://www.blogger.com/atom/ns#","term":"musictech"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Prophecy"},{"scheme":"http://www.blogger.com/atom/ns#","term":"solo"},{"scheme":"http://www.blogger.com/atom/ns#","term":"synthesizer"}],"title":{"type":"text","$t":"1996 Korg Prophecy Solo Synth"},"summary":{"type":"text","$t":"\n\nBy the early 1990s, the trend in synthesis was firmly anchored in sample-based tone production. A large collection of real instrument multisamples would be recorded and assembled in the synth’s memory, then a series of digital subtractive parameters would be employed to tailor the basic multisample to taste. Programmers would produce a set of factory presets, the synth would ship, and more "},"link":[{"rel":"edit","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/304001419740600421"},{"rel":"self","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/304001419740600421"},{"rel":"alternate","type":"text/html","href":"https:\/\/planetbotch.blogspot.com\/2011\/12\/1996-korg-prophecy-solo-synth.html","title":"1996 Korg Prophecy Solo Synth"}],"author":[{"name":{"$t":"Unknown"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"16","height":"16","src":"https:\/\/img1.blogblog.com\/img\/b16-rounded.gif"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhQm6mpt8mleYPtc2IX0Zxs9pwD-hx6C4ZOPaghQlcklKhxxetJfCiUEC5zGcmsWF6Asv9Ps28J9zKwhwnbvytRIo57iWT5T38J5awfVS3kVGiaeGkm0ug3Dyy1vNQ3mpfzNsBtA43lBO8\/s72-c\/Korg+Prophecy+Solo+Synthesizer.JPG","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-4485063470815328574.post-3836675645729940352"},"published":{"$t":"2011-11-09T23:00:00.001+01:00"},"updated":{"$t":"2021-04-30T15:12:12.031+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"1990s"},{"scheme":"http://www.blogger.com/atom/ns#","term":"Korg"},{"scheme":"http://www.blogger.com/atom/ns#","term":"musictech"},{"scheme":"http://www.blogger.com/atom/ns#","term":"synthesizer"},{"scheme":"http://www.blogger.com/atom/ns#","term":"X5"}],"title":{"type":"text","$t":"Korg X5 Synthesizer"},"summary":{"type":"text","$t":"\nThe original version of the Korg X5, with 32-note polyphony.\n\nIntroduced in 1994, the Korg X5 synthesizer was basically an update on the tone production engine of the world-beatingly successful Korg M1. From the M1's launch in 1988, and essentially through to the end of the 20th century culminating in the late '90s N Series, Korg used their AI\u0026#178; Sample \u0026 Synthesis system in synths and "},"link":[{"rel":"edit","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/3836675645729940352"},{"rel":"self","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/3836675645729940352"},{"rel":"alternate","type":"text/html","href":"https:\/\/planetbotch.blogspot.com\/2011\/11\/korg-x5-synthesizer.html","title":"Korg X5 Synthesizer"}],"author":[{"name":{"$t":"Unknown"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"16","height":"16","src":"https:\/\/img1.blogblog.com\/img\/b16-rounded.gif"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjqrWwiGv7L0GNPO3fKE7B9tE9UYei8sOAVVQwQ6hWxTibmhdxky9S_l3xmki249u-kfA_Y_Oz4xJNu-vEurIDDwoSN3WNTKTXhtfb67K4keI40hk0xjvF9LbiLi-G1SSGvaUmLoTD3aMQ\/s72-c\/Korg+X5.jpg","height":"72","width":"72"}},{"id":{"$t":"tag:blogger.com,1999:blog-4485063470815328574.post-5951407963670789308"},"published":{"$t":"2011-10-27T18:06:00.005+01:00"},"updated":{"$t":"2023-08-24T08:02:52.097+01:00"},"category":[{"scheme":"http://www.blogger.com/atom/ns#","term":"analogue"},{"scheme":"http://www.blogger.com/atom/ns#","term":"freeware"},{"scheme":"http://www.blogger.com/atom/ns#","term":"retro"},{"scheme":"http://www.blogger.com/atom/ns#","term":"synthesizer"},{"scheme":"http://www.blogger.com/atom/ns#","term":"VST"}],"title":{"type":"text","$t":"Freeware VST Synth - The Mutiny"},"summary":{"type":"text","$t":"\n\nThe FreeST Mutiny is an old-style Polysynth, designed to create retro, analogue-type sounds. The kind of sounds keyboardists used in the days before MIDI. The VSTi is not based on any particular synth model, but was created with an ethos of 1970s simplicity - everything on the front panel, no hidden parameters, what you see is what you get. \n\n\n\nI wanted the synth to be musical and have a "},"link":[{"rel":"edit","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/5951407963670789308"},{"rel":"self","type":"application/atom+xml","href":"https:\/\/www.blogger.com\/feeds\/4485063470815328574\/posts\/default\/5951407963670789308"},{"rel":"alternate","type":"text/html","href":"https:\/\/planetbotch.blogspot.com\/2011\/10\/freeware-vst-synth-mutiny.html","title":"Freeware VST Synth - The Mutiny"}],"author":[{"name":{"$t":"Unknown"},"email":{"$t":"noreply@blogger.com"},"gd$image":{"rel":"http://schemas.google.com/g/2005#thumbnail","width":"16","height":"16","src":"https:\/\/img1.blogblog.com\/img\/b16-rounded.gif"}}],"media$thumbnail":{"xmlns$media":"http://search.yahoo.com/mrss/","url":"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEju59r59XDjaWS_rh1yQjaG4VnGdQG1hYv_gi8zl1urvUuucFhIffG3YC7N2FulahMTyksVk16JpgzG82kNp83V8ap-Af1GCwqYMwtuvsv7-rYHH5bRnIW5Ac-_Z8RZt5MZMmnt_7Koj8s\/s72-c\/MutinyPoly.JPG","height":"72","width":"72"}}]}});